Kath Raisch: From Darkroom to Digital with Company3 Senior Colorist
Cinematography Salon
How I Learned to Color in a Dark Room
"Drive" was really a turning point in like digital acquisition, film emulation, like heavy DI. I feel like we're feeling the reverberations of that till today for sure." "I just started coloring whatever I could get my hands on to make a reel and then by the time I felt confident enough in my reel to share it I shared it with Tom and Stefan Sonnefeld and they liked it enough to bump me up," he said about working at Company 3. 'We think it's really important also to help out up and coming directors and DP's as well so we've been really trying hard to do that' Heavily print emulation is always a reference constantly even
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