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How to Overwork a Screenplay
I see him all the time. Well, I'm sure he doesn't bring up Hello Larry as the first thing on his. He brings up Frank Sinatra. A lot. It seemed like a natural thing. I studied for a little minute with Nina Fosch. For 10 minutes. Then I just started working. Everybody's got their thing. Yeah. Well, you get it or you don't. You got it or you ain't. Not a lot that can be taught, except the rules and the form and the behavior and how to break down stuff.