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Jesse Armstrong on the Making of ‘Mountainhead.’ Plus, Why ‘Stick’ Doesn’t Stick.

The Watch

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Balancing Beauty and Banality in Film Design

This chapter delves into the complexities of designing film sets that are both visually striking and authentically represent poverty. It highlights the team's choice of breathtaking Utah landscapes while critiquing the uninspired aesthetics of affluent homes, revealing the creative hurdles in production design.

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