78 | Character Poles: A Simple but POWERFUL Way To Shape Your Characters
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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The Last Scene of Season Five, Right?
Soye: I'm taking the character, it's a premise pilot, right? So it's like, here's the beginning of her journey. The final scene of the pilot is her backing into something. She thinks isin way, like aggressively driving her car backwards into something. For me, that was the story, emotionally, i'm trapped. I don't know what to do, and i'm pissed about it. To fuck it. It can work in t v as well, right? As you move, it’s a sterealized show,right? So as you move your characters from ifyou think about it, that in tv as well. Soy
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