Happy Sad Confused cover image

Christopher Nolan, Vol. III

Happy Sad Confused

CHAPTER

The Power of IMAX in the Service of Drama

The first section of the movie feels just like extended montage and you're kind of lost. And it's kind of like a dreamlike quality that kind of immerses you. I live for the day when I get to see some other film maker make something on IMAX film and actually cut those negatives and print it with the photochemical process. Because it's a really powerful tool for immersion. It's a reallypowerful tool for the emotional connection with the material. So now I strongly encourage any filmmaker until we do to try and shoot photochemically and hopefully a large format photochemistry because the imagery is beautiful and it's just fun to do.

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