
Chang-rae Lee Reads Steven Millhauser
The New Yorker: Fiction
The Horror of Levinson
Newhouse's work has an interesting ethicacies that once built, they can have their own kind of beingness and trajectory with it. There's something about that image of the small house being completely enclosed inside a larger house. That for me is where it starts to really have the elements of horror. You think about what happens when you go in that house? And what's happening to the people in the small house? Yes, I noted that too.
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