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Mitch Lillian - Key Grip (US)
Team Deakins
The Inner Ratu Style of Directing
A lot of talking through and scouting. And also being informed on what the shot actually is. So you're not trying to build it in a vacuum but knowing where the camera needs to be. You know having that knowledge ahead of time. I would be surprised. It doesn't make sense to me. But then why wasn't it just painted out? The ramp, the ramp was so big that we would have occupied the set. That's good to hear isn't it really?
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