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EP 61: Dan Runcie (Founder, Trapital) on the Business of Music and What Founders Can Learn from the Top Artists

The Logan Bartlett Show

CHAPTER

The Tension Between Taylor Swift and Scooter Braun

The master's point is an important one. Historically, if I signed up in 1995 or whatever as an artist and we go through that deal, then it's an 80-20 split. That song that I record, that's a breakout hit, who owns that? The record label. Or the publishing company would own any of the songwriting things. And now, in your example of Olivia Rodrigo, the licensing arrangement is, hey, we're going to give this to you for some finite period of time and then ultimately it will revert back to Olivia. Which is kind of a weird thing when you think about it.

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