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HOWA EP 75 - HEBA KADRY
hanging out with audiophiles
How to Make Your Mixes Dynamic
I like that there has to be a bit of an experimental phase. Like you need to give people the option to know where things are going. And also because, you know, with people's deadlines, you want to minimize revisions as much as possible. I have several meters in front of like four or five different meters. RMS and P doesn't tell me the whole picture. You can say that what's the most dynamic you've got away with? Lough's wise, like 16 or something. Do you measure in loves now? I prefer loves.
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