00:00 - Intro
01:02 - The origins of this project
02:01 - Why was the decision made to make the calendar entirely about women?
02:53 - Idol worship and paintings of Gurus?
06:34 - An artist's perspective of depicting Gurus and other figures from Sikh history?
08:22- Where are the stories coming from? What do the sources tell us about Sikh women in history?
12:19 - Why is it important that the sources are pre-colonial? What has colonialism done to our current understanding of women in Sikh history?
14:01 - What is the mentality behind revising historical narratives?
16:00 - Who has been included in the calendar?
21:23 - What do pre-colonial texts say about the Gurus marrying more than one wife?
24:08 - What do pre-colonial texts say about the marriage rites of the Gurus?
27:25 - Other examples of source material disagreeing with the modern narrative?
33:00 - How do you bring the research to life as accurately as possible?
35:27 - Understanding the ‘soul bride’ metaphor
39:21 - How has the reformation of Sikh philosophy influenced the modern day Sikh community's understanding of itself - including tales of men & women from Sri Dasam Granth?
47:29 - Would it be fair to say that the Divine, beyond duality, is conveyed through duality?
51:55 - What has been the greatest difficulty in creating these pieces of art?
54:31 - Is there anything that has not been included due to modern sensibilities?
55:53 - Which other artists are involved?
56:46 - Can we undo the impact of the Singh Sabha movement or are we heading into a ‘Neo-Pre Colonial’ period?
01:00:27 - Why are certain depictions of Sikh history more accepted than others?
01:04:22 - Perception of the divine and artist Sobha Singh?
01:08:43 - How will art from today impact the community in generations to come?
01:15:23 - Which one is your favourite art piece from the calendar?
01:20:28 - Conclusion
01:20:41 - Bloopers
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