130 | Our Biggest Lessons From Being On Set (Part 1)
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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How to Write a Good Story
"I feel like I've been trying to hone a very specific muscle that writers need," he said. "You have to be kind of objective and fine with all those things that you care deeply for getting destroyed." He added: "It's the same thing when you have to kill a character or cut something really special, but it's about the bigger picture"
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