The rest of the rest of the book is them coming to their ruined house and getting back into a routine like it's the same sort of routine aided stasis that they were in before. There are also people who start bringing them food and stuff with little notes that's like hey sorry I wrecked your harp or like sorry about the chairs. People who in a mob context got ginned up and totally wrecked this house individually later given time to search their souls by themselves feel bad for the dumb.
Shirley Jackson's We Have Always Lived In The Castle shares some qualities with her best-known short story The Lottery; both feature small New England towns that are the site of some unfortunate mob action. Join us for a conversation about non-supernatural creepiness, unreliable narrators, and early flights.
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