The Power of Faces in Graphic Novels

"I was really wedded to keeping the faces blank and I always have them facing facing the reader. They always have to be facing outward because in some way it's breaking that fourth wall." "The dialogue itself is definitely telegraphing all sorts of emotions right? So yes, like the dialogue is itself was just sort of crackling with life," she said. 'It's been a long time to see people have processed it'