Pop Is a Big Beast

Pop music is like putty and you make your own shape out of it. I certainly didn't invent this style of music. It's just people exploring different ways to express themselves. And sometimes the best way to express yourself is by listening to something that you haven't heard or immersing yourself in culture that you're not familiar with.

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Thanks to SoundBetter for supporting this episode of Tape Notes.

SoundBetter is the world's leading music production talent-marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers and studio musicians in the industry. You can work with Billie Eillish's drummer, U2's mix engineer or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.

Head to SoundBetter.com to find out more.

In this episode, John heads to Miloco Studios to catch up with Charlie Puth about how he wrote, recorded and produced the album ‘CHARLIE’.

Thinking back to the moments that sparked the initial ideas for each of his songs, Charlie talks us through how he translates the almost fully finished versions from his head to the DAW. From using auto-tune to satisfy his perfect pitch, to the simple chorus tricks he uses to help it all punch.

As well as looking back to his early days on YouTube and social media, Charlie discusses how the platforms have evolved and their impact on the way he writes, allowing him to include so many people in his music making process.

Listen to find out what Monday would sound like if it was a song, which of his viral sounds was faked, and how to play guitar like you’re a pianist.

Tracks discussed: Light Switch, That’s Hilarious, Loser

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Listen to ‘CHARLIE’ here.