André Alexis Reads Italo Calvino
The New Yorker: Fiction
Isn't He Withholding?
The story just, you know, begins in medeor race, and more stays that way. We yues, we hear how diego and michalo were captured, but not what they've been doing before that. And i wonder why. Well, that's part of his beauty as a writer, a forme. There is that kind of sparseness that allows the reader in.
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