In the 18 thirties, the french government is really interested in finding out about french literary heritage. And am a young scholar called francisque michel is sent to oxford to the bodleyinn where they know that there are manuscripts of a great french literature. When he finds it, he writes this letter back e describing the moment that he he pieced this together and realize this must be the famous song of roland. He says he he cried out in the reading room of the bodilian library. i like to think about that as an echo of manjois, which is charlemagne's battle cry, kind of resonating through the ears.
Melvyn Bragg and guests discuss an early masterpiece of French epic poetry, from the 12th Century. It is a reimagining of Charlemagne’s wars in Spain in the 8th Century in which Roland, his most valiant knight, chooses death before dishonour, guarding the army’s rear from a pagan ambush as it heads back through the Roncesvalles Pass in the Pyrenees. If he wanted to, Roland could blow on his oliphant, his elephant tusk horn, to summon help by calling back Charlemagne's army, but according to his values that would bring shame both on him and on France, and he would rather keep killing pagans until he is the last man standing and the last to die.
The image above is taken from an illustration of Charlemagne finding Roland after the Battle of Roncevaux/Roncesvalles, from 'Les Grandes Chroniques de France', c.1460 by Jean Fouquet, Bibliotheque Nationale, Paris, Ms Fr 6465 f.113
With
Laura Ashe
Professor of English Literature and Fellow in English at Worcester College, University of Oxford
Miranda Griffin
Assistant Professor of Medieval French at the University of Cambridge and Fellow of Murray Edwards College
And
Luke Sunderland
Professor in the School of Modern Languages and Cultures at Durham University
Studio producer: John Goudie