Composer Nicholas Britell on The Music Of Moonlight, 12 Years A Slave & Vangelis
Soundtracking with Edith Bowman
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The Moonlight
The moonlight is structured in the fact that it's almost like three many films within a film Sort of thing when you were thinking and working on the the score for it. Was there an idea that there would be specific differences between each of those acts and those Thematic things that come and go that sort of breathe in and out of the film as well? Absolutely, it was definitely something that we thought a lot about because of the three-part structure I think it's a question of how do you allow for cohesion between the chapters while also allowing for a transformation Because little is becoming chiron is is black you know in chapter one.
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