A lot of, i think, youre work in the past is shed a light on a lot of t sort of the craft ens thay been lost to colonialism. Can yo giveus an example of one? Go! There'r so many, but ye, i guess. I guess es the thes tes to two, two main aspects. And in the exhibition sense that the thes therewere practices that have lost an or have been disrupted by capitalism.

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