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DZ-94: Talismans (Part 2)

Draft Zero: a screenwriting podcast

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Portrait of a Lady on Fire

The film is set at the end of the 18th century and it opens, as I mentioned earlier, with a character that's called Marianne. We know very early on that this shit is really important to her. And we as an audience, that is the question that's prompted us. Why does this portrait have emotional attachment to her?

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