Using SoundMiner for B-Wave Cataloging

I'm always touching a sound and I would hope that most mixtures are. A good base is as dry and minimally processed as possible. As we move into cataloging and metadata, with me, it's important to, again, always include photography. Outside of that, I also do tend to document the microphone itself. And if something stands out, I'll try and keep a limited set of keywords across all projects.