How Does Your Approach Change From House of the Dragon to Belfast?

It's really amazing the variety of projects that you've worked on. How does your approach change from something like House of the Dragon where you can kind of let your imagination run a little bit? No one's ever seen these particular castles or these sets and it's rooted in a medieval milieu, but not realistic in any sense. And then something like Belfast which is a period piece, a place that people recognise... Or even Children of Men that is set in London for the most part, but a little bit into the future. I think the key for me, Jason, is the script. I always have to have some sort of emotional connection with the story. Sometimes you do get scripts