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The Neo-Calvinist Traits of Redeemer
When I started Redeemer, there wasn't anything like it that was both Orthodox and modern. You actually had Orthodox churches that were within withdrawal. They really had nothing to they just they had nothing to do in a sense with the culture or with scholarship or the arts or anything like that. And yet, we would be talking about modern philosophy and modern art, modern media. We were always having conversations in which we were trying to show how Christianity uniquely engaged with those in those fields. It created a kind of interstitial space between places that were guarded by the gatekeepers.