Critics at Large | The New Yorker cover image

The Elusive Promise of the First Person

Critics at Large | The New Yorker

CHAPTER

Exploring First-Person Perspectives in Film and Literature

This chapter examines the use of first-person perspective in both film and literature, highlighting its impact on storytelling and viewer engagement. Through discussions of classic films like 'Lady in the Lake' and 'Dark Passage,' as well as modern examples such as 'Enter the Void,' the chapter illustrates how this technique immerses audiences in the characters' experiences. The exploration extends to literature, contrasting works like 'American Psycho' and 'The Adventures of Augie March' to showcase the emotional complexities and narrative intimacy achieved through first-person narration.

00:00
Transcript
Play full episode

Remember Everything You Learn from Podcasts

Save insights instantly, chat with episodes, and build lasting knowledge - all powered by AI.
App store bannerPlay store banner