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Kiss From a Rose
I ended up recording multiple tracks of vocals, as I said around 16th. They were all meant to emulate an orchestra. And that is perhaps why there is this kind of elaborate vocal arrangement on Kiss from Rose. If you don't play an instrument and you're a singer, it's just a sort of natural progression where you try and emulate certain instruments. Crossby Stills and Nash was one of my big influences when I was getting it together - they have really beautiful harmonic melodies.