There is no real reliance on the music to set the emotional tone but it's there I think he thought from what I read that it was um it was cheap to try to direct your emotions with just music like yeah that's just too easy. He also tried to get some eastern sounding music like as like so it's like this blend and it just makes me it feels because of all the associations it just feels like mystical like you're now in this mystical area.
It’s the episode that Tamler has been waiting for – a long deep dive into Andrei Tarkovsky’s mysterious masterpiece "Stalker." A writer and professor are led by their guide (Stalker) into a cordoned off “zone” that may have been visited by a meteorite (or aliens) a couple of decades earlier. Their destination – a room in the zone that according to legend grants people their deepest desire, the one that has made them suffer the most. We gush over Tarkovsky’s filmmaking, his use of sound and music, and the richness of the questions this movie raises about meaning, art, delusion, desire, science, and faith.
Plus, does having a small penis make you want to buy a sports car? Pre-crisis social psychology is back!
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