The Choice Between Sex and Death in Our Culture

Chris Fernold: The decision to make this a subjective point of view film from Oppenheimer's perspective, when we see the movie in color, it is through his eyes largely. It's just a communication of how he views women, which is that he does not view them seriously and he discards them. And I don't know if that necessarily completely eliminates the criticisms, but it's a pretty purposeful choice here.