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George Saunders on Reading Better, Writing Better, and Living Better

The Shakespeare and Company Interview

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Teaching Creative Writing

I think this analysis is kind of a form of that. We really don't know how tchekhov arrived at that. He certainly didn't plan it out, i don't think,. or or diabolically pre intend it. Second of all, it's really uncertain how we're going to use it. And i i think a hundred %, we're not going to go home and try to duplicate it. If you impose somebody else's move to your preexisting story, there's something really inorganic about that. So i think alo, you know, it's funny how much of this really is is a a process of acknowledging mystery. But mystery doesn't mean

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