Beethoven Symphony No. 7
Sticky Notes: The Classical Music Podcast
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Beethoven's 'Save Me From the Grave'
Beethoven writes a swartsand or an attack, on every single wrong beat possible. That's not how it's suposed to work. Accents are supposed to be on the main beat of the bar. And the wildness of the first 16 bars all essentially being written with the same rhythm and the same sforsandi,. is a remark escalation of the wildness and obcessiveness of the first movement.
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