
88 | Alex Kurtzman & Jenny Lumet: Why Destabilization Is Essential For Your Writing
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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I'll Pay All We Have Wit Each Other, Aam
i love that about not being clever, the impulse to do it is irresistible. How do we talk about these incredibly difficult things to talk about in a way that feels real but also very surprising and very unexpected? I'm just going to put the little clever thing right there, and then it gets called out right away when some bore meats it. And so ultimately, for us, with manifild earth, it was just about saying, how do we avoid being clever?
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