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Neill Blomkamp, Gran Turismo, Haunted Mansion & Meg 2: The Trench
Kermode & Mayo’s Take
The Cultural Blind Spot of Nuki
"I loved it. I left with a spring in my flat feet after seeing a blockbuster end with a joke about a very female rite of passage," says the critic who saw Barbie for the first time. "This is the biggest box office success by an original film written and directed by a woman ever", she adds. But critics still want to tear her down for not being feminist enough, he writes. 'It's telling to be closer'
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