Speaker 2
But when you're working with people like that, does that mean you need to figure out what you're doing on the day? In inother words, you can't really, if someone does have experience, give them too much direction. Oh, well, you're going to come here and walk into this two shot and then go, you know, you can't throw too many technicalities, i would think to them, if you want them to concentrate on creating the character, well, well,
Speaker 1
the less they know, the better edy is to wait. Thoh soken and andrea are both different in their styles, but their approaches as far as how to deal with the non actors is similar. Because they have a system where they shoot consecutively, so the the scanle is got to be consecutive, so that the character or the actor is basically given to script maybe on the day of the shoot, so thet don't know how oing t happen. And it means they are on a journey. And that is
Speaker 1
from so man, non actors is that like, i didn't see this come in, or, you kdont like this, just so much things that, ay, theyre, they're, for want of a better term, unprofessional sort of position means that they're giving you so many great things, because they're not doing things that actors may have learnt or, you know, over the years kind of perfected. And, you know, not to say that good actors don't bring that special things, ol, but i think a non actor, when they are acting, they don't really know they're doing it, so it's all just them being them. And most of the time, a good street cast person has probably been cast for the reason that they're very close to thatca, in many ways, but not riterely for the observe what the character is. So all those traits come out, and, you know, like and something like american honey, we like about ten, theres 15 kids ind that, and they're all, like, none of them have acted. And all of them, i think, kids these days as well, or late, you know, people are so sort of used to the gaze of a camera, like, everybody film at each other all the time.
Speaker 1
shyness about it. So what you really get with some yo' never been in the front of a camera on a daily basis, is just a freshness, i guess. And that's very apparent in andrea's work. And it's, it's, it's an energy, really.