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The 1990s and the Cancellation of the Future | Chuck Klosterman

Hidden Forces

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Objectivity

When you're working from a subjective point of view, you are the arbiter. If something feels true to you, like there are things I wrote a book called Frugarock City about listening to hair metal bands growing up in the Midwest. And if I had a feeling about Cinderella, right, a feeling about Judas Priest, that was enough. When you're working in a more objective paradigm, you're not trying to translate a feeling. You're hoping that a feeling emerges from the fact that you are looking at this thing from a degree of detachment and separation.

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