Taylor Swift’s Eras Tour shattered records, becoming the highest-grossing concert tour of all time, redefining what’s possible and confirming a new era in the business of touring.
As streaming transformed how we listen to music, selling records is no longer the financial centrepiece it once was for artists. Instead, exclusivity has been transferred to the live experience. But staging shows on this scale requires enormous investment and complex production. At the same time, ticket scarcity fuels extraordinary demand and rising prices, which mean big ticket prices.
Tanya Beckett explores how technology, fandom and economics turn modern concert tours into multi-billion-dollar ventures.
This week on The Inquiry, we’re asking: How did music megatours become such a money spinner?
Contributors
Kevin Kim, Head of Asia at music distribution company Route Note, Seoul, South Korea
Serona Elton, professor at the Frost School of Music at the University of Miami, United States
Adam Behr, Reader and Head of Music at Newcastle University, United Kingdom
Poppy Reid, music journalist and founder of Curious Media, Sydney, Australia
Presenter: Tanya Beckett
Producers: Maeve Schaffer and Matt Toulson
Researcher: Evie Yabsley
Production Management Assistant: Liam Morrey
Technical Producer: Craig Boardman
Editor: Tom Bigwood
(Photo: Taylor Swift during The Eras Tour. Credit: Erika Goldring/TAS24/Getty Images)
