How Should We Round Up This Song Before We Move On?

"Such a triumphan classic chain smokers end to one of our songs. And we wrote the horn parts on mittie, and then we're like, this sounds so fa committie," he says. "It just make everything so much better on oleven or rother e, bad."

Transcript

chevron_right

Play full episode

chevron_right

Transcript

Episode notes

Thanks to SoundBetter for supporting this episode of Tape Notes.

SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.

Head to SoundBetter.com to find out more.

In this episode, John heads to Miloco’s The Yard Studios to catch up with The Chainsmokers, Alex and Drew, talking through how they wrote, recorded and produced their latest album ‘So Far, So Good’.

Giving us a glimpse into their Hawaii writing sessions and drunken nights in the studio, the duo share the initial sparks and early ideas (both good and not so good) that developed into the final tracks.

As well as a beat building masterclass, creating drum patterns that no one would ever think up, the pair reflect on removing any pressure from their writing process and the impact it had on their creativity.

Listen to find out how to get away with recycling beats from different songs, why sometimes it pays to be the least organised producer in the game, and what the best question to ask yourself is in order to handle almost every situation.

Tracks discussed: If You’re Serious, iPad, I Love U

Listen to ‘So Far, So Good’ here.

‘So Far, So Good’ - Disruptor Records/Columbia Records

Intro Music - Sunshine Buddy, Laurel Collective

LINKS TO EVERYTHING TAPE NOTES

https://linktr.ee/tapenotes

GEAR MENTIONS