Is There a Go to Vocal Microphone?

All the voices are my voice pitch one octave higher. I usually sing very far from the mic which you know sometimes there's no like exact way to do it but I just enjoy being far. This whole album was done with a microphone that is not a vocal microphone at all. And in terms of those wonderful voices you've got on this song. So that's like, it's actually my voice but it's pitched in everywhere possible.

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In this episode John is joined by Vincent Fenton better known as FKJ (French Kiwi Juice) to talk about how he wrote, recorded and produced three tracks across his releases - ‘Time For A Change’, ‘Ylang Ylang’ and ‘Vincent’.

Giving us a glimpse at his musical journey through the years, Vincent reflects on each of the decisive elements that help characterise his signature sound, from location and significant life events, to his early homemade synth presets and sample libraries.

Alongside his tricks on how to bring electronic drums to life, and the different headspaces that help focus his music making, we hear thoughts on why limitations can be so exciting and how so often ‘bad’ pieces of gear create something that ‘amazing’ gear simply can’t.

Listen to find out how miniscule chord changes can drastically alter the emotion of a vocal line, what challenges come with moving your entire studio to the middle of the jungle in the Philippines, and why combining your adult and child minds can be the key to creativity.

Tracks discussed: So Much To Me, Ylang Ylang, Different Masks For Different Days

LINKS TO EVERYTHING TAPE NOTES

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Listen to ‘V I N C E N T’ here