“Don’t Follow the Rules, Rewrite the Rules” — Sundance Director Alison O'Daniel on Slow Burn Filmmaking by Design, Weaving Captioning into Film Narrative
The No Film School Podcast
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Is There a Space for Misunderstanding?
I think for me sound editing is really comes much more from like a kind of deaf, hard appearing experience of the world. So in some ways, I actually think that similar to the captioning, the sound design, like my ability was sound design came from this space of having been so studied about my experience because I'm not just hearing throughout the day. And then that's evolved into noticing things like when I was right before we filming this sort of like four week film shoot for the two pithies. There's not one is not like the enemy of the other. One is environmentally, I can absolutely feel that kind of like anger, but then in terms of sonically or hourly
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