I feel like i can start and i can feel it out pretty quickly with non fiction. With fiction it's harder, because you really get a sense of an argument,. Sometimes it doesn't take the form of a review, but i can fold it into another piece that comments more broadly on something happening in fiction or something happening in non fiction. There are so many books, and i get to write frequently enough that i don't feel at the end of the year that i missed this or i miss that. Butye. No, gon gon all the wod in the studio. Ah, how do you pick what you ride about? It's he overlapping thing of what i'm interested in
Parul Sehgal, a former a book critic for The New York Times, is now a staff writer at The New Yorker.
“My job is I think to be honest with the reader and to keep surfacing new ways for me and for other people to think about books. New vocabularies of pleasure and disgust.”
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