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John Seale - Cinematographer
Team Deakins
I Love Shooting Fast With Gaffers
It did rely on the beautiful light that is created in italian cities. We'd often arrive at a location with this gorgeous salmon light pervading into the village where mat damon might ride up in a motor schooner. And he would pull out the 18 kas and whatever they were, those great big lights, and he'd have them lined up ready to replace the sun on that salmon wall. All of that took place. There were big problems using two different villages on two different lands to create one village with the sun changing direction. But we seem to be able to blast our way through, i will say, with a gaffer like mo working in so beautifully with the it
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