What's the Best Way to Match the Street Lights?

When i was at film school, there was a rule, you must match all your color sources. That came from the days of techni color. And then people like krasa started to shootin color on one end of the spectrum. You see what robby muller did, w specially when he came to america and shot te paris, texas,. but then to live in die in ale. Those were such bowd colors. It's great walking around streets at night just looking at light. Behaviour it can't do that now, really, so easily.