When Ted Koppel and the executive producer of the show flew down to Honduras, they found a man digging in the rubble. The episode of the broadcast became the door; it was half an hour of who this man was where he was now. And the revelation for me was, oh, I think we all tend to look for stories that are huge and tell the entire thing. But when you tell a very highly specific story, counterintuitively, that makes it universal.

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