How Do You Coordinate the Coography in a Film?

i always feel as though a whatever, camera number one is also a character in the film. Because i'll a low that you do hard panting, you do a lot of hard panting instead of cuts. Whereas i really feel like o c im a character in this and, you know, i'm inside of this world. Take after take, id four cameras working simultaneously. The act that cast is in motion. The mers are in motion. I light the entire area, so everything is alive. And then i try to work in in situ as long as possible. In other words, io could do eight pages if you wanted to.