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Spider-Man’s Mega Box Office, Aaron Sorkin’s ‘Being the Ricardos,’ and Best Picture Power Rankings

The Big Picture

CHAPTER

Was It Meant to Be a Zippy Work Place Rom Com?

Sorkin has collided some of the time lines and real lifetime lines to make for a more intense story. He's always this struggle between, like, up dating his work and that sort of admiration for old, old hollywood,. Like dawn of television, but neat endings and field good endings is like in all his work. And i think westwing versus, i love lucy versus right bow is is the tension it is. I don't really want to spoil for people the resolutions, even though i think some of them are outrageous andso, so wrong headed. But i would really like to understand whether he thinks what you're describing is appalling or not.

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