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ART OF THE CUT with Oscar nominee Jay Cassidy, ACE on editing David O. Russell's "Amsterdam"
Art of the Cut
The Color Shifts Between Scenes
The color that the dailies colorist colors in which is something Chivo looks at and manages from the beginning was going to be the color that we would get in the cutting room. We got rid of the Rec.709 color space and worked in the D65P3 color space, which you can do these days because the monitors can display it. There are some pretty strong color shifts between scenes.
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