Introduction

This is the school of motion pod casts. Come for the mograp stay for the punts. There's things that i can do much faster throwing up a green or blue screen than we can, you know, throwing up a very large elady wall or an elady volume. It's just going to be, is it the right tool? Is it the right thing for your story or for your job? Because take all this technology away, if your story sucks, it doesn't matter how good your graphics are and visual effects are. This stuff is there in service of the story. You are. Ot 400 twefty, five yards.