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BILLY WILLIAMS - Cinematographer
Team Deakins
How to Cross-Light People
Where you put the light is so important into how the act is going to look. I did a picture with Bette Midler and she was absolutely delighted to work with. When we came into close-ups you always had to be looking right to left. Didn't matter in the wide shot. And also, you know, I like to cross-light people. Mm-hmm. But that's the only occasion I've come against that one.
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