
Adele Wagstaff in conversation with Roger Kneebone
Countercurrent: conversations with Professor Roger Kneebone
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The Subjectivity of Portrait Art
This chapter examines the complexities of judging portrait art and the unpredictability of acceptance into competitions like the National Portrait Gallery. It reflects on the subjective nature of art evaluation, the emotional connection artists have with their work, and the intricate decision-making involved in determining when a portrait is 'finished.' Additionally, it discusses how familiarity with subjects influences artistic creation and the evolution of an artist's style over time.
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