Exploring a computer program that creates music using mathematical algorithms and randomness without relying on musical talent. The chapter delves into how the program manipulates music elements to highlight the distinctions in stability, consonance, and listener familiarity.
Today we're once again joined by Dmitri Tymoczko, Professor of Music at Princeton University. Last time, Dmitri talked about the geometry and patterns we hear in music and its history, particularly from the 1900s onwards.
In this episode, Dmitri delves into some underlying principles that make music sound ‘good’.
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This show is produced in collaboration with Wavelength Creative. Visit wavelengthcreative.com for more information.