“What is the price of an assassin’s bullet? Some dollars here and there. The cost of the bullet. The cost of a taxi ride, a hotel, an airplane, the money paid to hire the assassin, his silence purchased through a payment into a Swiss bank, the cost to him psychologically for having taken the life of one, two, three, or four. But the biggest price is not paid by the intelligence services. The biggest price is paid by the people. For in these assassinations, these murders, this violence of intimidation, it is the people who lose their leaders in their localities. Each bullet fired struck down a Revolution and gave birth to our present barbarity. This is a book about bullets.”
These are the words of Vijay Prashad in the opening paragraphs of his book, Washington Bullets: The History of the CIA, Coups, and Assassinations—a fascinating and meticulously researched and gut-wrenchingly evocative book which takes readers on a tour of the US empire’s wide-ranging project of global dominance.
Vijay Prashad is a journalist, political commentator, and Executive Director of Tricontinental: Institute for Social Research. He’s the author of many books including Red Star Over the Third World, The Darker Nations, and the book that we’ll be discussing today, Washington Bullets.
This conversation explores many of the concepts outlined in the Washington Bullets, from the CIA’s manual for regime change to how economic shock and military coups were utilized to achieve said regime changes in countries like Chile. But more than just a chapter by chapter overview, today’s conversation with Vijay takes many side-alleys and side-paths that range from the importance of art and emotion in politics, why we need to rethink the idea of conspiracy theories, why cancel culture is a dead end, and why the left needs to reexamine its use of language and propaganda in the face of a US cultural apparatus that won the PR campaign against socialism decades ago.
Further Resources
Related Episodes:
Intermission music: "Stolen Empires" by Andrew Glencross
Artwork: Tings Chak
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