It took someone 130 years to find this girl, to find her story or try and excavate her story and give her a voice. So when you look at the spirit of the dead keeps watch, that painting, do you see beauty or do you see a record of a crime? I see beauty, it's like Gauguin has created something, and for me, he doesn't exist anymore," she says. "I understand her as a woman that is powerless, voiceless, but who has the power and the strength to speak out"
What to do with the art of monstrous men? That’s the question Claire Dederer grapples with in Monsters: A Fan’s Dilemma. She wonders whether she can or should continue to love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? And if it’s possible to divorce the art from the artist.
How do we now view the glorious, technicolour paintings of Paul Gauguin’s works from Tahiti? The writer Devika Ponnambalam has imagined the life of one of his muses Teha’amana in her latest novel, I Am Not Your Eve. Gauguin was 43 when he first arrived on the island in 1891 and made numerous teenage girls his ‘unofficial wives’.
The science writer Michael Bond is interested in the psychology behind fandom. In his book Fans he looks at the pleasure of tribalism and sense of belonging, but also what happens when one’s hero falls short, and the cognitive dissonance needed to continue to stay true to a monstrous genius.
Producer: Katy Hickman