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153 - Why Disney and Pixar’s Elemental is their "Most Ambitious" Movie to Date

Dolby Creator Talks

CHAPTER

How to Shoot Over the Shoulders in Dolby Vision

Pete Docter says working with Dolby Vision was a "fantastic" experience. The color complexity of Amber and the brightness is in the face, he adds. With Atmos you can get bright enough to compensate for your 3D effect but not so bright that it compensates on its own. He also talks about how sound designer Ren Klice helped design the film's sonic environments.

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